Drawing Room

The ceiling is painted ’in the form of a sky spaced with four triangular panels resplendent with a wealth of horticultural and floricultural specimens’. The frieze includes a series of medallions containing classical busts, linked with festoons and true lover’s knots painted in French white and gold on a silver grey ground which contrasts with the rich pink of the Rose Du Barry cove. The walls are plain pale grey.

The room was originally furnished with masses of heavily upholstered ebony and satinwood armchairs, occasional chairs and settees and other furniture including a Lipp upright grand piano. There were also five magnificent satinwood display cabinets one of which now lives at the NGVI. This has been identified as part of the original furnishings by Terrence Lane of the NGV.

The original satinwood overmantel decorated with gothic panels and a hand painted coved recess painted with a scene from Midsummer’s Night Dream with side panels hand painted with figures representing Romeo and Juliet was recognised in a shop in Canterbury by Terrence Lane of the NGV and purchased for return to its original home.

 

Overmantle in the drawing room

Overmantle in the drawing room
Photograph Trevor Mein